ABOUT/
As a eleven-year experienced texturing and surfacing artist. I frequently work in Linux or Windows and multi-software such as Mari, Zbrush, Photoshop with completed pipeline. As for surfacing, I was using Maya or Katana to create photo-real and even styles characters, props and environment.
EXPERIENCE/
Texture Artist
Oct. 2021 - present
Feature Films
2022 The School for Good and Evil
Episodic Television
2022 Obi-Wan Kenobi
2021 Snowpiercer 3
Moon Knight
Texture Artist
Nov. 2019 - Jul. 2020
Feature Films
2020 Thunder Force
2019 Extraction
The New Mutants
TV Series
2020 The boys season 2
For All Mankind 2
Commercials
Halo Infinite : Forever we Fight
Key Environment Artist
May. 2019 - Nov. 2019
Feature Films
2019 1917 (For Oscar 2020 for Visual Effects)
Senior Texture and LookDev. Artist
Dec. 2018 - Apr. 2019
Feature Films
2018 Pegasus
2019 Shanghai Fortress
The White Rabbit Entertainment, Inc.
CG Asset Lead (2015-2017)
CG Asset Artist (2012-2015)
Feb. 2012 - Oct. 2017
Feature Films
2013 TwaTiuTiann
2014 Dream Flight
KANO
Monster Hunt
Yes, Sir 7
2015 An accidental shot of love
OPEN ! OPEN !
The Tag Along
2016 For a Few Bullets
At Cafe 6
The Village of No Return
Who killed Cock Robin
The Cinema that Never Dies II
2017 The Tag Along 2
The Liquidator
The Game of Desire
Airpocalypse
TV Series
2016 LOVE O2O
2017 To the Sky Kingdom
Lost Love in Times
Caught in the Heartbeat Setasonl
Animated Short Film
2012 Hatching (Screening for 2012 Siggraph)
Journey to West
2013 Gu
Cathayop
Tire Trave - Discovering Sun Moon Lake
2014 Cathayop II
2015 Giuseppe Castiglione
2016 Force of Will
2017 Pandamonium
SKILLS & SOFTWARE/
Maya | Mudbox | Mari | Katana | Nuke | Substance Painter | Photoshop
Zbrush | Arnold | Vray | Redshift | RenderMan | Houdini｜Substance Designer
EDUCATION/
Chinese Culture University
Multimedia and Digital Design.
Program Department of Advertising.
June. 2009 - June. 2013
Asperger syndrome‘s Short Documentary
2013 To Listen
Fu-Hsin Trade & Arts School
Department of Art Designing.
June. 2003 - June. 2006
